Krumping with Rameau

As I stated in my November 2018 post “Debussy + Trampoline (shameless self-plug!), in the art world, there are times when the combination of two or more dissimilar elements can lead to something truly astonishing and transporting.

Another case in point: this incredible production of Jean-Philippe Rameau’s 1735 opera Les Indes galantes. Rameau’s work is technically an opéra-ballet, which unites both sung and danced elements to create a dramatic whole. In this particular staging, though (from the Paris Opera in fall 2019), Baroque music and period instruments lives in harmony with… krumping? Yup. For their updated reimagining, film director Clément Cogitore and choreographer Bintou Dembélé chose to use modern dance styles throughout the opera instead of historically-accurate ballet.

The original opera is, quite frankly, a bit of a Eurocentric (i.e., racist) mess when considered from a modern standpoint. The plot follows various love stories set in “exotic” locations (the Ottoman Empire, Peru, Persia, North America) and ends with a peaceful coming-together of Europeans and Native Americans courtesy of a “savage” dance. Yikes and double yikes. However, this modern staging somehow appears to transcend all of that, more bluntly addressing issues of prejudice, otherness, and what it truly means to be a global community.

At the very least, though, it’s a mesmerizing production to watch. Check out the two clips below and see for yourself…

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