Gabriella Smith: “Carrot Revolution”

The future of classical music is a shaping up to be a promising one, especially with such a solid generation of young composers on the horizon. From the hyperkinetic sound worlds of Andrew Norman to the Hindustani influences of Reena Esmail, there is sure to be no shortage of vibrant new music in the future. (Though it will be up to orchestras and other arts organizations to actually program this music—stay tuned for a post about this in the near future…)

Located within this department of “up-and-coming composers you should know about” is the Northern California-born Gabriella Smith. With a number of prestigious chamber and orchestral performances already under her belt (including the LA Phil), she clearly has a promising career ahead.

Currently, one of Smith’s best-known pieces is the amazingly-titled string quartet Carrot Revolution, written for the Aizuri Quartet in 2015 and recorded for the first time this past fall. The work immediately strikes the listener as something totally fresh, yet familiar. Percussive string effects at the opening give way to a wild musical journey, complete with snatches of minimalism, bluegrass, and rock along the way. (Keep an ear out for a glimpse of The Who’s “Baba O’Riley“). It’s a breathtaking, eleven-minute ride for both the quartet and listeners, but one that is well worth taking.

Google Celebrates J.S. Bach

Since this blog is titled Bachflip, I would be remiss not to highlight today’s Google Doodle, which celebrates the 334th birthday of Johann Sebastian Bach. In this interactive experience, you begin by creating a short, two-bar melody. Then, AI software—which has “analyzed” hundreds of Bach’s chorales—will generate an original, Bach-style harmonization around your tune. The results are a bit hit or miss, but some sound surprisingly good. Overall, it’s a fun little diversion that shows the far-reaching effects of Bach’s music as well as the possibilities (and limitations) of AI technology.

Check out the short video below to learn more about the creation of the Doodle, and try your hand at the experience here. (Also be on the lookout for some fun Easter eggs in the Doodle. Hint: one involves 80s-style rock…)

Music for Washington’s Birthday

The legacy of George Washinton looms large in our nation’s history, having made a mark in almost every realm from politics to pop culture. In the arts, too, composers have frequently been inspired by the life and character of this multifaceted figure. To celebrate the February birthday of Washington, here are four classical pieces that honor the “father of our country”:

1. Michael Daugherty: “George Washington” from Mount Rushmore

Perhaps best known for his quirky pieces that riff on American pop culture, Michael Daugherty has also composed works of a more serious character. One example is his 2010 oratorio for chorus and orchestra—Mount Rushmore—which takes inspiration from the eponymous monument in the Black Hills of South Dakota. The opening movement (of four total—one for each president carved into the mountainside) spotlights George Washington. Quotations from “Yankee Doodle” and the popular Revolutionary War anthem “Chester” (sung in an ebullient shape-note style) are juxtaposed with a tender choral reflection on words of Washington himself.

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